5,245 Royalty-Free Audio Tracks for "Compositions In G Flat Major"

1st release date: April 1928 1st recording date: 1926 Place of recording: London (United Kingdom) Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791) Performer(s): Budapest String Quartet 1st Violin: Emil Hauser (1893–1978) 2nd Violin: Imre Pogany (1893–1975) Viola: István Ipolyi (1886–1955) Cello: Harry Son (born Henri Mozes Son) (1880–1942) Vocal range: instrumental Title/Work: String Quartet No. 17 in B-flat major, K. 458 Content: 3rd Movement: Adagio (1st Record) Genre(s): Chamber music

C major scale, ascending and descending

Song Guilty, performed by Al Bowlly.

Impromptu Opus post. D 946 - No. 3 in C major (allegro).

Ascending and descending scale played in E flat major

Johannes Brahms - concerto in a minor, op. 102 'double concerto' - iii. vivace non troppo (double concerto)

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 14 Fugue No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 42 Fugue No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 41 Prelude No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 13 Prelude No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 42 Fugue No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 34 Fugue No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 34 Fugue No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 14 Fugue No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 41 Prelude No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 13 Prelude No. 7 in E-flat major, BWV 852

G-sharp melodic minor scale ascending and descending.

Subtonic as secondary dominant to the mediant in minor from Brahms Op.76.7, Eight Pieces, for piano (1878).

The musical piece is a two-part invention in F-minor for keyboard (harpsichord) in a Baroque style, written by amateur musician Philip Kanellopoulos as a student's exercise in 1988 in Claremont, California, and recorded using the Finale NotePad software (version 2012).

1st movement from J. S. Bach's Italian Concerto played on piano

Scale of the Locrian mode starting on C [ogg vorbis sound file]

3rd movement from J. S. Bach's Italian Concerto played on piano

Scale of the Aolian mode starting on C

Scale of the Phrygian mode starting on C [ogg vorbis sound file]

2nd movement from J. S. Bach's Italian Concerto played on piano

B-flat melodic minor scale ascending and descending.

B-flat harmonic minor scale ascending and descending.

Sergei Rachmaninoff performing his own Prelude in C-sharp minor (Op. 3, No. 2). The composition was first published in the Russian Empire and this recording was first released in the United States in December 1920 by Edison Records. It was performed in New York City, April 24, 1919.

Janacek Sinfonietta 2nd movement, opening bars

A section in Six Moments Musicaux, No. 1. The piece, composed by Sergei Rachmaninoff in 1896 was published before 1923, and thus is in the public domain. See also Image:Moments Musicaux 1.png.

Ausschnitt aus dem zweiten Satz von Griegs Klaviersonate

Sonata b minor, Domenico Scarlatti, Kirkpatrick 87, Kirnberger temperament, digital harpsichord (Yamaha CLP-470) Sonate h-Moll, Domenico Scarlatti, Kirkpatrick 87, Kirnberger-Stimmung, digitales Cembalo (Yamaha CLP-470)

Violin concert in D, Op. 61 — 2nd movement: larghetto. Violinkonzert in D, Op. 61 — 2. Satz: larghetto.

Major scale on A.

Major scale on C. Created by Hyacinth (talk) 19:42, 1 April 2010 using Sibelius 5.

Example 12 from Stockhausen's article "… wie die Zeit vergeht …", illustrating with a version of the series from Gruppen fur drei Orchester that, "if you start from the intervals of a proportion series, then with every step forward the register of each duration is also already chosen" (Stockhausen 1963b, 117). There are "a number of basic durations, indicated in metronome marks and corresponding with the pitch proportions within the series, reaching far as the octave positions (basic duration units)" (Leeuw 2005, 174), or "a duration scale which changes its 'time register' … corresponds to a twelve-tone scale that extends over more than one octave" (Misch 1998, 157–58).

Prime form of five note tone row from Igor Stravinsky's In memoriam Dylan Thomas.

Tone mixtures for Group I of Studie II. First five pitches (Group I: 1). G♯=100 Hz.

Tone row from Stockhausen's Klavierstück IX.

Tone proportions of Studie I. I took F♮ as the starting point.

Tone row with Schoenberg's initials preceded by remaining four notes.

Prime row form from Stravinsky's Requiem Canticles.

Rudiments of the 12-note series from Stockhausen's Klavierstück III (Leeuw 2005, 176–77). Created by Hyacinth (talk) 01:36, 20 October 2010 using Sibelius 5.

Violink concert in D, Op. 61 — 1st movement: allegro ma non troppo. Violinkonzert in D, Op. 61 — 1. Satz: allegro ma non troppo.

G♯ natural minor scale ascending and descending.

The Huffman Prairie Winds of the United States Air Force Band of Flight perform Bach's "Little" Fugue in G Minor, BWV 578. Track 7 form Blue Skies (1993).

Double Concerto in A minor (Op. 102), concerto for violin, cello, and orchestra — 2nd movement. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.

32 Variations in C minor, WoO 80.